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prelude

Preludio per violino solo Op4

João Dovicchi

1:20	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino		33	29	12	8	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino		33	29	12	8	96%

Prelude in C

BarryP

0:28	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	26	7	4	100%
		32	8	12	8	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	26	7	4	100%
		32	8	12	8	94%

Piano Prelude no.1 in C minor

Sam Gawthorne

1:49	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	15	4	9	100%
		27	22	2	7	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	15	4	9	100%
		27	22	2	7	88%

Prelude

B.J. Catt

1:28	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	0	0	8	81%
		18	9	0	4	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	0	0	8	81%
		18	9	0	4	97%

Prelude in F

BarryP

2:35	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		41	23	14	7	100%
		33	23	12	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		41	23	14	7	100%
		33	23	12	8	100%

Bachiana Brasileira 1 Prelude

Eduardo Marcos Martinez

4:23	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelo	25	0	10	10	100%
	18	5	6	7	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelo	25	0	10	10	100%
	18	5	6	7	93%
	14	1	4	8	100%
	17	0	7	10	100%

NOT FINISHED Shostakovich, Prelude from Suite for 2 pianos, arranged for concert band

enptymess

2:22	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	24	0	6	9	82%
Bass Clarinet	23	0	7	4	76%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	24	0	6	9	82%
Bass Clarinet	23	0	7	4	76%
Flute 1-2	24	1	8	8	71%
B♭ Clarinet 2-3	18	0	3	6	58%
Baritone	5	0	1	1	55%
Piccolo	18	0	3	5	55%
Tuba	10	5	2	1	55%
Bass Trombone	4	0	0	1	52%
B♭ Clarinet 1	27	0	4	7	51%
F Horn 1-2	10	0	0	5	49%
B♭ Cornet 1	6	0	0	1	48%
B♭ Cornet 2	3	0	0	1	48%
Oboe 1-2	20	0	5	5	34%
Trombone 1-2	11	0	2	6	33%
B♭ Trumpet 1-2	8	0	0	6	21%
Alto Saxophone 1-2	10	0	2	2	18%
F Horn 3-4	6	0	0	5	12%
Timpani	1	0	0	1	6%
Tenor Saxophone	3	0	2	1	3%

Einzugsimprovisation über "Alles meinem Gott zu Ehren" (GGB 455)

p.hil

2:30	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	31	64	10	9	99%
	24	66	7	7	100%
	19	0	8	9	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	31	64	10	9	99%
	24	66	7	7	100%
	19	0	8	9	94%

Duet for 2 Piano's in B Flat Minor

NicholasLockePiano

1:50	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	9	1	8	100%
	13	0	1	8	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	9	1	8	100%
	13	0	1	8	100%
	16	15	4	7	100%
	19	14	0	7	100%

24 Fugues for Chopin's 24 Preludes, op. 32, №4. Fugue in E Minor

Vasiliy Kuzmin

3:02	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	13	12	10	98%
		73	29	28	9	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	13	12	10	98%
		73	29	28	9	94%

Debussy - La fille aux cheveux de lin

Mitocondria

1:44	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	44	8	9	94%
		29	45	5	7	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	44	8	9	94%
		29	45	5	7	89%

La Fille Aux Cheveux de Lin (The Girl with the Flaxen Hair), orchestrated for Concert Orchestra

jthistle

2:26	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	8	71%
Violin 1	18	0	3	7	68%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	8	71%
Violin 1	18	0	3	7	68%
Violin 2	17	0	3	7	61%
Contrabass	14	0	3	6	55%
Viola	13	0	2	6	53%
Flute 1	16	0	2	7	39%
Bassoon 1	19	0	2	7	32%
Flute 2	13	0	4	7	29%
Oboe	22	0	4	5	29%
F Horn 1 amp;amp; 3	16	0	4	5	26%
B♭ Clarinet 1	15	0	4	7	24%
Harp	12	3	0	5	21%
	7	3	0	2	11%
English Horn	9	0	1	5	21%
B♭ Clarinet 2	10	0	2	6	18%
F Horn 2 amp;amp; 4	10	0	3	4	13%
Bass Trombone	11	0	2	3	11%
Bassoon 2	9	0	2	3	11%
Trombone 1	12	0	3	4	11%
Trombone 2	8	0	2	4	8%
B♭ Trumpet 1	8	0	3	2	5%
B♭ Trumpet 2	6	0	2	1	3%

Prelude and Fughetta

Templetown

2:53	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	11	9	9	99%
		24	23	9	8	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	11	9	9	99%
		24	23	9	8	84%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%